Week 76: College Reading and Writing: Smith and Bosley


Week 76: College Reading and Writing: Smith and Bosley

Patricia Smith and Pamela Bosley: Annotating, Summarizing, Analyzing, Imitating
to annotate: to make notes on something to help you understand it better
to summarize: to put something in your own words
to analyze: to consider a question on the text, providing supporting examples from the text
to imitate: to create an original piece of writing based on something you have read

We are doing the poem and response in the book today, starting on page 149. 

Exercise: Read and annotate
1. Read the poem and response out loud and underline any words you need to look up.
2. Write any questions you have in the margins or in your notebook.
3. Put tricky parts into your own words in notes in the margins or in your notebook.

Exercise: Questions for Comprehension of the poem
1.      How would you describe the undertaker’s tone? How do you think he feels about the boy? About the boy’s mother?
2.     Why do you think the undertaker tries “not to remember the stories” while he’s working on the boy?
3.     What do you make of the word “birthed” in the fourth line of the fifth stanza?

Exercise: Summarize the poem
Write a paragraph summarizing the poem with quotations, in-text citation, and a Work Cited Page.

example too-short summary, incorporating quotation and in-text citation:

Patricia Smith’s poem “Undertaker” is written in the persona of an undertaker who begins the poem by describing what happens to a head when it’s pieced with a bullet: “[it] explodes” (149). The undertaker says he can think of “no softer warning” (149) to explain the effects of a bullet to the young mothers who hire him to “fix my boy” (149). He describes how the mothers hand him a photo of their deceased children who are a “smirking, mildy mustachioed player” (149) which implies a certain attitude the speaker must have towards the men he “fixes.”

Work Cited Page (for today’s poem)
Smith, Patricia. “Undertaker.Bullets Into Bells: Poets and Citizens Respond to Gun Violence. Ed. Brian Clements et al. Beacon Press, 2017.

Exercise: Questions for Comprehension of the response
  1. Where was Terrell’s life taken?
  2. How does Bosley describe Terrell?
  3. How would you describe Bosley’s tone? How do you think she feels about her son?  

Exercise: Summarize the response
Write a paragraph summarizing the response with quotations, in-text citation, and a Work Cited Page.




Exercise: Analysis
Question for analysis: Describe the tone used in “Undertaker.” What is the speaker’s attitude towards the mother and her dead son? Use specific language from the poem to help you answer this question. Describe Bosley’s tone in her response. How does she feel about her son? Use specific language from the response to help you answer this question. After you’ve described the tones used in the poem and response, in the final paragraph of your analysis, answer the following question: 
Based on the language of this poem, who does the persona hold responsible for shooting deaths among young black men? Who does Bosley hold responsible?

Exercise: Imitation
Think of a personal or public life event that you’ll never forget. Choose someone other than yourself and write a poem from that person’s perspective, where they are thinking back, remembering the details of the experience.

Homework:

  1. Summary of Poem
  2. Summary of Response
  3. Analysis of Poem and Response
  4. Imitation of Poem

About this class:

In this class, you are welcome to submit homework for a grade.  If it’s not strong enough to earn an A, I’ll give you some comments to help you revise it, and let you do it over again. You have as many chances as you want to complete and perfect the work in this class, and you are welcome to do more than one week’s worksheet for homework at a time; ask me for sheets you’ve missed.  Students who complete 15 weeks of graded assignments and a longer paper can qualify for college credit.  When you get close to completing 15 weeks, I’ll help you get started on your longer paper.

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